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	<title>Floorplay Swing Dance Club &#187; Poem</title>
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		<title>The Tao of Dance</title>
		<link>http://floorplayswing.com/article/the-tao-of-dance/</link>
		<comments>http://floorplayswing.com/article/the-tao-of-dance/#comments</comments>
		<pubDate>Sun, 28 Oct 2001 13:53:27 +0000</pubDate>
		<dc:creator>Mark Traynor</dc:creator>
				<category><![CDATA[Article]]></category>
		<category><![CDATA[MTraynor]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[Poem]]></category>
		<category><![CDATA[West Coast Swing]]></category>

		<guid isPermaLink="false">http://floorplayswing.com/?p=149</guid>
		<description><![CDATA[The Way of your dance is within Perspective is where it begins Are you in the right shoes for the partners you choose? Can you tell the difference what you gain or you lose? Is the consequence difference at all? &#8230; <a href="http://floorplayswing.com/article/the-tao-of-dance/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The Way of your dance is within<br />
Perspective is where it begins<br />
Are you in the right shoes for the partners you choose?<br />
Can you tell the difference what you gain or you lose?<br />
Is the consequence difference at all?<br />
Be aware how each sound gives you sight<br />
Be in proper position,<br />
Is transition ambition?<br />
Or conditioned volition?<br />
It’s your song<span id="more-149"></span></p>
<p>Only you give it flight.<br />
Be an instrument in what you hear<br />
Not just sounds in your ear.<br />
Be the drums and tap out, keep the beat but don’t shout<br />
Are you a symbol of change or a cymbal unclear?<br />
Will you recognize echo or remain in a snare?<br />
Should you move to percussion?<br />
Are you in the discussion?<br />
Is conduction construction? reduction? obstruction?<br />
In between each note<br />
. . . . . . . .</p>
<p>Are you there?<br />
Put yourself in the song<br />
Keep your character strong<br />
When piano leads plead, feel and follow the keys<br />
Take the time to enjoy each refrain.<br />
Should the bass call you out let it take you somewhere<br />
Will you steal each lead?<br />
Do the words seem to bleed?<br />
Thru your heart, thru your soul<br />
Let the story untold, unfold, and behold!<br />
At the time to believe</p>
<p>Will you see?<br />
Follow rhythm thru measure<br />
Each phrase is a pleasure.<br />
Every chorus repeated, enjoyed then defeated<br />
Make them yours, give it meaning each time.<br />
Do the horns blowing groove you?<br />
Are there strings that behoove you?<br />
that move you along, or lead you astray?<br />
Each stanza you hear<br />
isn’t far, isn’t near<br />
It is here, in this moment</p>
<p>Embrace it that way.<br />
There’s a symphony always playing<br />
Listen well to what it is saying<br />
If you lead or you follow, the journey is hollow<br />
If not learning you’re only displaying.<br />
Instinct is distinct, don’t leave it alone.<br />
Do your steps flow like water?</p>
<p>or seem set in stone?<br />
Is natural progression, instruction? discretion?<br />
A lesson of choices as more than a chance?<br />
Find your place on the floor,<br />
It’s your dance.</p>
<p><em>by Mark Traynor, 2001</em></p>
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